Galerie Mirchandani + Steinruecke
ARTISTS  >  jyothi basu
INTRODUCTION

In large-scale oil paintings, Jyothi Basu wills into being a universe of his own making: hallucinatory and timeless yet grounded in astute observations of the world in which we live. Like an animated cartoon that brings together cavemen and astronauts, his art playfully synthesizes profound conflagrations, sees delight inextricably bound to terror.

The space of Jyothi Basu's paintings is both cosmic in scale and inside the body, inter-galactic and sub-atomic at the same time. The landscapes depict inter-connected systems that carry both energy and information, circulatory and neurological paths, multiple flows of both light and matter moving in numerous directions, an interface of technology with biology, the genetic coding of solar systems. The landscapes seen from an omnipotent viewpoint evoke cosmological diagrams, inferring a theological program, while the artist's fluorescent colors ape the special effects one expects to find in a B-grade science fiction film.

More recently, Jyothi Basu's paintings have accomplished a secondary collapsing of poles. His art has always been deeply influenced by his home state of Kerala, with its dense palm tree jungles and aquatic horizons where back-water canals meet the sea. After a few years of living in the megalopolis of Mumbai, Jyothi Basu has imbibed the language of forms and patterns of chaos endemic to the city to come up with yet another synthesis of opposites, now the urban and the rural. Both are grist for his mill that pictures vegetation as an electronic grid, roadways as jungle vines, trees as concrete towers, and night skies as syncopated lighting.

Jyothi Basu's other-worldly landscapes are built of architectonic ciphers that mimic the forms of both nature (plants, animals, spores) and culture (writing, figuration, decoration). The things that most closely resemble buildings accommodate multiple pedigrees: Hindu, Buddhist, Muslim and Christian. His planet is composed of a linguistic superstructure (signs, symbols, letters and icons) that pulses with meaning and life.

Born 1960 in Kerala, India
BFA in Painting, College of Fine Arts, Trivandrum
Post Diploma in Painting, Faculty of Fine Arts, M.S. University, Baroda
Lives in Mumbai

Solo Exhibitions
2006
Visionary Antiquities, Nature Morte, New Delhi and Galerie Mirchandani + Steinruecke, Mumbai.
Catalogue essays by Jonathan Goodman and Peter Nagy
2006
Landscapes Towards A Supreme Fiction, Thomas Erben Gallery, New York
Catalogue essay by Enrique Juncosa
2003
Healing Properties: V.N. Jyothi Basu's Landscapes of the Self, Artists' Center, Mumbai
Essay by Ranjit Hoskote
Selected Group Exhibitions
2011
India Inclusive: Contemporary Art from India, World Economic Forum, Davos, Switzerland
Curated by Tasneem Zakaria Mehta
2011
5th Anniversary Exhibition, Galerie Mirchandani + Steinruecke, Mumbai
2008
Expanding Horizons curated by Sudhir Patwardhan and sponsored by Bodhi Art Gallery, Mumbai (and travel)
2008
Santhal Family, Positions around an Indian Sculpture, MuHKA, Antwerp, Belgium
2008
ART FORUM Berlin together with Aji V.N. and Ratheesh T.
Presented by Galerie Mirchandani + Steinruecke, Mumbai
2007
Horn Please, Narratives in Contemporary Indian Art, Kunstmuseum Bern, Switzerland
2007
Private/Corporate IV: Works from the Lekha and Anupam Poddar and DaimlerChrysler Collections, DaimlerChrysler Contemporary, Berlin
2007
Mumbai Metronomes, The Museum Gallery, Mumbai
2006
A Piece of the Wall, Galerie Mirchandani + Steinruecke, Mumbai
2006
Double-Enders, Mumbai, New Delhi, Bangalore and Cochin
Curated by Bose Krishnamachari
2005
The Artist Lives and Works, Haus der Kulturen der Welt, Berlin
2004
Bombay Boys, Palette Art Gallery, New Delhi
Bombay x 17 , Kashi Art Gallery, Cochin
Curated by Bose Krishnamachari,
1988
Questions and Dialogue, Faculty of Fine Arts, M.S. University, Baroda
1987
Alekhya Darshan, Centre d'Art Contemporain, Geneva
Curated by C. Raman Schlemmer
1985
Painters with Fishermen, Student Centre, Trivandrum
EXHIBITIONS

Visionary Antiquities
November 20 – December 09, 2006

Landscapes Towards A Supreme Fiction
April 19 – May 20, 2006

Healing Properties
January 13 – January 19, 2003